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Adrien Brody Joins Lacoste as Global Eyewear Ambassador

Adrien Brody Lacoste ambassador 2026

Adrien Brody has joined Lacoste as the global ambassador for the brand’s Lacoste Eyewear line, marking the latest chapter in a relationship that began more than a decade ago.

Fourteen years after their first collaboration on Lacoste’s Unconventional Chic campaign (2012), the two are reuniting with Brody now fronting the brand’s eyewear communications. Over the years, he has remained closely associated with Lacoste, including regular appearances at the brand’s fashion shows.

A two-time Academy Award winner for Best Actor, Brody is known for his performance in The Pianist (2002) and, more recently, for his role in Brady Corbet’s The Brutalist (2024), which earned additional major international recognition.

“I’m honored to join the Lacoste family as the global ambassador of their newest eyewear campaign,” said Brody. “Lacoste has always represented style, authenticity and craftsmanship, and I’m excited to continue our friendship and collaboration with this new campaign.”

A Design That Blends Heritage and Contemporary Style

The sunglass style featured on Brody reflects Lacoste Eyewear’s approach to combining brand heritage with a modern, lightweight look. The geometric frame is designed with a bio-injected front for everyday comfort, paired with acetate temples finished with a finely engraved metal core wire for added durability and refinement.

Lacoste_Adrien Brody Eyewear Campaign 2026

Signature Lacoste details include the brand’s metal crocodile trim and a premium seven-barrel hinge, emphasizing strength, precision, and a clean, recognizable identity consistent with Lacoste’s accessory positioning.

Click HERE for the press release.

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The Modern Man’s Frame: Leading Eyewear Designers Shaping Masculine Style Trends for 2025

The Modern Man's Frame: Designers Redefining Masculine Style

By Shan Khan, R.O

There’s something magnetic about men’s eyewear right now. Frames are no longer just the last item you pick up after choosing your shirt and shoes. They’ve become an essential part of a man’s style story—an accessory that speaks without words.

And what a privilege it is to hear directly from the people shaping that story. I’m honoured to share the voices of five incredible designers who are pushing men’s eyewear into exciting new territory: Howard K., Daniel Laoun, Susi Tabacchi, David Duralde, and Mehran Baghaie. Each brings a unique vision, but together they show us how creativity, restraint, and boldness collide in the world of men’s frames.

This year, expect colour. Expect texture. Expect the unexpected. From translucent acetates and earthy tortoises to mirrored blues and brushed titanium, men’s eyewear has never been more exciting—or more personal.

Howard K.: The Beauty of Quiet Details

Howard K. is the kind of designer who doesn’t follow fashion runways—he follows people. “I look at men around me and conceptualize how I would curate their look if I had no design boundaries,” he says. That real-world inspiration results in frames that feel effortlessly versatile: comfortable for the workday, yet still stylish when the evening calls for something sharper

Acetate is his playground for texture, titanium his tool for strength and lightness. His secret? Quiet details. Etched patterns, unexpected finishes, and subtle architectural cues that whisper rather than shout. “Form and function are always at the core of what we do. But uniqueness is what invites someone to pick it up, to try it on, to make it theirs.”

This year, Howard’s restrained designs pair perfectly with the trend toward earthy warmth—think smoky ambers, muted greens, and textured tortoises that look classic at first glance, but reward a closer look.

Susi Tabacchi: Italian Refinement

From Italy, Susi Tabacchi brings us designs with a soul. Inspiration comes not from trend reports, but from life itself—travels, moments, even sudden epiphanies. “The best ideas often come from everyday life, real places, and concrete experiences,” she says.

For men, Susi believes in the power of simplicity. “Less is more” is her mantra, but don’t mistake that for plain. Faceted acetates, jewellery-inspired finishes, and refined overlays give her frames a subtle wow factor. The I-Man collection, in particular, strikes that balance men crave: youthful energy paired with timeless sophistication.

Her colour story this year leans warm and approachable: tortoises with golden undertones, smoked greys touched with amber, and polished blacks given life with metallic details. These are frames designed for men who want to look modern without ever looking like they’re trying too hard

David Duralde: Designing Desire

Few people understand the emotional side of eyewear like David Duralde. As chief creative officer for OGI Eyewear and several other collections, he sees his role as anticipating what men will want next. “Good design is measured by the emotion it sparks,” he says. “If a man puts on a frame, looks in the mirror, and sees himself as more confident—that’s when I know the idea works.”

David doesn’t chase trends. Instead, he studies design fields that share longevity with eyewear—architecture, cars, furniture, jewellery. His frames are timeless by design, created to outlast the fast fashion cycle and live in a man’s wardrobe for years.

This year, that means neutrals with a twist: matte textures, transparent fades, and mixed materials that feel sleek without being sterile. Comfort is always baked in, but the emphasis is on originality that feels effortless. “Balance is everything,” he insists. “Style, comfort, and function must coexist without compromise.”

Daniel Laoun: Reinventing the Familiar

Daniel Laoun’s journey with Glossi almost didn’t happen. “I never thought of myself as a creative person,” he admits. “It was either step in or let the collection go.” What started as necessity has blossomed into a career-defining exploration of colour, material, and imagination.

Glossi’s nylon is Daniel’s canvas, and it’s unlike anything else in the market. Light as air, unbelievably durable, and bursting with mirrored colours, it lets him take classic men’s shapes and flip the script. “The same design can feel understated on one man and bold on another,” he explains.

This season, Daniel leans into translucent layers—frames that glow with personality without ever feeling too loud. Mirrored sapphire, smoky bronze, and fiery copper transform everyday eyewear into something that turns heads. But it’s not just about looks: every Glossi frame is feather-light, adjustable, and easy to wear. “For me, true success is when a frame looks great, feels great, and is practical to work with from start to finish.”

Mehran Baghaie: Subdued Creativity

If Howard is about details and Daniel about reinvention, Mehran Baghaie is about honesty. Designing for men, he says, is harder than designing for women. “Your creativity needs to be held in check,” he admits. Too much risk, and the frames veer into a space men won’t touch.

His answer is what he calls subdued creativity. He builds with block titanium—strong, bold, yet surprisingly light—and avoids the traps of overdesign. “I don’t try to resonate. I just design, and if it connects with a smaller group of men, that’s fine by me.”

This season, Mehran’s frames are unapologetically masculine: brushed metallics, deep graphite, and midnight blues with proportions that flatter longer faces. “A frame is a foreign object on your face,” he says, “so if you can reduce the weight of it, you’ve already moved toward comfort.” It’s a philosophy as pragmatic as it is personal.

Men’s Eyewear 2025: What’s In

So, what are the threads that tie all of this together? The men standing in front of the mirror in 2025 are looking for eyewear that feels personal, modern, and comfortable. The designers delivering it are giving them:

  •  Colours with character – earthy tortoise, translucent amber, forest greens, mirrored blues, and brushed gunmetal.
  • Textures that surprise – faceted acetates, etched titanium, and layered constructions.
  • Shapes that last – clean lines, generous B-box depths, slim temples, and easy-to-fit bridges.
  • Materials that matter – feather-light nylon, block titanium, and bold acetates.
  • Comfort without compromise – adjustable temples, light engineering, and subtle detailing that keeps frames wearable all day.

What strikes me most from speaking with these five designers is the balance each one seeks between expression and wearability. They are not creating frames just to be seen in magazines—they are creating frames to be lived in.

Howard gives us quiet strength. Daniel, playful reinvention. Susi, Italian refinement. David, timeless desire. Mehran, subdued creativity. Each voice is distinct, yet together they form the chorus of modern men’s eyewear.

And as men continue to embrace eyewear as a defining part of their identity, it’s exciting—truly exciting—to see these designers leading the way. Eyewear today is not about hiding behind lenses. It’s about being seen, fully and confidently, through the frames that reflect who you are.

Designers Say…

Howard K.
“Form and function are always at the core of what we do. But uniqueness is what invites someone to make it theirs.”

Daniel Laoun
“The same design can feel understated on one man and bold on another.”

Susi Tabacchi
“The best ideas often come from everyday life, real places, and concrete experiences.”

David Duralde
“Good design is measured by the emotion it sparks.”

Mehran Baghaie
“Subdued creativity—that’s the secret to designing for men.”

About the Author:

Optik Magazine Editor in Chief, Shan Khan, R.O.

Shan Khan, R.O

Shan Khan, is an optician and educator passionate about advancing eye care and eyewear awareness in Canada. As Editor-in-Chief of Optik Magazine, she brings a keen industry perspective and a commitment to spotlighting innovation, style, and professionalism across the optical landscape.

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Eschenbach Sponsors Two Visually Impaired Students to Attend Space Camp

Eschenbach logo

For the fourth consecutive year, Eschenbach Optik of America, Inc. has reaffirmed its commitment to accessibility, education, and inclusion by sponsoring two students with vision loss to attend the Space Camp for Interested Visually Impaired Students (SCIVIS).

Celebrating its 35th anniversary, SCIVIS took place from September 28 to October 2, 2025, at the U.S. Space & Rocket Center in Huntsville, Alabama. The program welcomed 142 visually impaired students from across the United States for an immersive, hands-on educational experience inspired by NASA’s astronaut training programs.

A Fully Accessible Astronaut Training Experience

Throughout the week, students participated in adapted astronaut training activities designed to be fully accessible for individuals with vision impairment. These included spaceflight simulations such as a one-sixth gravity chair and multi-axis trainer, rocket assembly and launch exercises, simulated space missions, and an underwater scuba build. Participants also explored aerospace technology and learned about future career opportunities in science, technology, engineering, and space exploration.

Daily challenges, ranging from search-and-rescue exercises to high ropes courses, encouraged teamwork, confidence, and problem-solving, reinforcing the camp’s mission to show students that vision loss does not limit ambition or achievement.

2025 Scholarship Recipients

The two students selected for Eschenbach’s 2025 sponsorship were Jackson H., from Olympia, Washington, who attended the Space Academy program, and Jayden V., from the Bronx, New York, who completed the Advanced Space Academy program. Both students successfully completed their simulated space missions.

In addition to full coverage of tuition and airfare, each scholarship recipient received a care package that included an Eschenbach Smartlux® Digital portable video magnifier, supporting everyday reading and writing tasks through enhanced digital magnification.

Eschenbach Space-camp-Astronauts-2025

Inspiring the Next Generation

Reflecting on his experience, Jayden V. shared:

“Thank you so much for giving me the opportunity of a lifetime, to experience one of yet the best moments of my life. If I was in doubt or discouraged to ever have a career at NASA because of my disability; all that has pushed away. NASA better be ready for the first albino in space!”

Through initiatives like SCIVIS, Eschenbach continues to demonstrate how optical innovation and corporate social responsibility can intersect to empower young people with vision loss to pursue bold goals, on Earth and beyond.

Learn more about Eschenbach’s giving-back initiatives and the Space Camp for Interested Visually Impaired Students program on the company’s website.

Click HERE for the press release.

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Sergio Cereda Eyewear Design Award Unveils Top 10 Contenders Ahead of MIDO 2026

Sergio Cereda Design Award logo

As Milan prepares for a landmark year that will see the city host both the world’s leading eyewear trade show and the Winter Olympic Games, the Sergio Cereda Eyewear Design Award has announced its Top 10 Contenders for the 2026 edition of the competition.

The announcement comes as anticipation builds for Milano–Cortina 2026 Winter Olympic Games and MIDO | Milano Eyewear Show, two global events that together frame a rare moment of cultural, athletic, and design convergence for Italy.

Founded by eyewear industry veteran Harvey Ross in memory of his longtime friend and business partner Sergio Cereda, the award is presented by the Viva Ross Family Foundation in partnership with MIDO and the Cereda family. This year’s competition marked a record level of participation, with 101 student submissions from around the world, reflecting the growing international reach of the program.

Sergio Cereda
Sergio Cereda

An Olympic-Inspired Brief

For 2026, students were challenged to design Olympic-inspired optical and sunglass concepts, conceived for winter sport performance, extreme environmental conditions, and contemporary style. The brief intentionally mirrored the unique alignment of the Olympic Games being held in Italy alongside the global eyewear industry’s most important annual exhibition.

Ross said the response from emerging designers was both overwhelming and deeply personal.

“I am deeply moved by the response from so many young designers—designers who would have made Sergio incredibly proud. Sergio was a true pioneer at a time when eyewear was just beginning to be recognized as a major fashion accessory… It is the mission of my foundation to ensure that Sergio Cereda’s legacy lives on and that his name is never forgotten in the world of eyewear design.”

Top 10 Contenders (Unranked)

The following designers have been selected as the Top 10 Contenders for the 2026 Sergio Cereda Eyewear Design Award:

  • Elisa Albertini — LABA | Libera Accademia di Belle Arti di Brescia (Italy)
  • Connor Bybee — Savannah College of Art and Design (USA)
  • Anping Chu — Istituto Marangoni Milano Design School (Italy)
  • Gustav Craft — Istituto Marangoni (Italy)
  • Camille Ferreira — Istituto Marangoni Milano (Italy)
  • Megan Broad Merkel — Savannah College of Art and Design (USA)
  • Mahra Mustafa — Istituto Marangoni Milano Design (Italy)
  • Alessandro Oberti — LABA (Italy)
  • Giada Tosana — LABA | Libera Accademia di Belle Arti di Brescia (Italy)
  • Leon Voegtle — Muthesius Kunsthochschule Kiel (Germany)

Awards, Exhibition, and Live Ceremony at MIDO

The Top Three designers will receive monetary awards of $10,000, $5,000, and $2,500, with final rankings revealed live during the awards ceremony:

Awards Ceremony
Saturday, January 31, 2026 | 4:00 PM
The Vision Stage, Hall 1
MIDO | Milano Eyewear Show

In addition to the ceremony, the Top Three designs will be exhibited in The Vision Stage Lounge at MIDO, alongside original Sergio Cereda prototypes and archival sketches. The installation is intended to create a direct dialogue between Cereda’s legacy and the next generation of eyewear designers.

All participating students are invited to attend and network with jurors, professors, manufacturers, and global eyewear leaders throughout the event.

Industry Voices on the Importance of the Award

Lorraine Berton, President of MIDO and ANFAO, emphasized the broader significance of the award:

“This award reflects the very spirit of MIDO — where heritage, innovation, and future vision meet. In a symbolic year for Milan and for Italy, giving space to young designers who can unite performance, design culture, and storytelling means investing in the future of our industry.”

Stefania Cereda Oppermann, Design Consultant with the EssilorLuxottica North America Product Team, highlighted the personal dimension of the brief:

“The brief was Olympic-inspired, but at its heart, this competition was about understanding my father — his curiosity, his rigor, and his respect for craftsmanship.”

Industry consultant Ketty Cereda added that the strongest projects combined creativity with purpose, reflecting values central to Sergio Cereda’s approach to design.

International Jury

The Top 10 Contenders were selected by an international jury of eyewear industry leaders, including executives, designers, and brand founders from across the global eyewear landscape.

With the final announcement set for January at MIDO, the Sergio Cereda Eyewear Design Award once again positions itself as a meaningful platform for recognizing emerging talent and reinforcing the link between heritage, innovation, and the future of eyewear design.

Click HERE for the press release.

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EssilorLuxottica Unveils New Clinical Findings Demonstrating Significant Improvements in Hearing Performance with Nuance Audio Glasses

EssilorLuxottica

EssilorLuxottica announced new clinical findings from two studies1,2 evaluating the performance of Nuance Audio Glasses*, the Group’s all-in-one open-ear hearing solution built into smart eyewear and intended for adults with mild to moderate hearing loss. The results were presented for the first time in Europe during the 69th EUHA Congress (European Union of Hearing Aid Acousticians) in Hanover, Germany, as part of the official academic program.

Dr. Tami Harel, Chief of Audiology of Nuance Audio, EssilorLuxottica, presented the session on “Clinical Efficacy of Open-Ear Hearing Aid Glasses”, sharing outcomes from studies conducted at Western University (Canada) and the National Acoustic Laboratories (NAL, Australia), two globally recognized research centers in hearing science. Collectively, the studies evaluated both controlled laboratory performance and real-world listening experiences, demonstrating consistent benefits for users in everyday communication.

Key Findings

Western University (Canada)

The Western study evaluated Nuance Audio Glasses in controlled yet realistic noise conditions, designed to simulate daily listening environments. Results demonstrated:

  • Up to 29% improvement in speech understanding in challenging acoustic conditions**
  • Significant reduction in listening effort, as measured through standardized rating scales***
  • These outcomes highlight the potential of Nuance Audio Glasses to support improved communication performance in noisy listening environments.

National Acoustic Laboratories (Australia)

The NAL study assessed both laboratory performance and short supervised real-world use. Reported outcomes included:

  • 3.48 dB improvement in signal-to-noise ratio (SNR), a clinically meaningful gain in speech-in-noise performance†
  • 70% of participants reported improved communication ability after only 3 hours of real-world use‡
  • Participants’ top communication goals were met in 84–95% of cases§
  • Participants preferred using the glasses more as the acoustic environment became more challenging¶
  • Together, the findings show a coherent trajectory, from measurable acoustic improvements in controlled laboratory conditions, to meaningful real-world communication benefits, and ultimately to a clear user preference for Nuance Audio Glasses in more challenging listening environments.

“One insight stands out across both studies: users prefer to wear Nuance Audio Glasses in the real, noisy conversations that matter most to them. These results mark an important achievement in terms of the post-market clinical validation of the product for early-stage hearing support,” said Dr. Tami Harel, Chief of Audiology of Nuance Audio, EssilorLuxottica.

“These new clinical findings represent an important milestone for EssilorLuxottica,” said Stefano Genco, Global Head of Nuance Audio, EssilorLuxottica. “Results from the two studies validate our vision of integrating advanced open-ear hearing technology into smart eyewear, addressed to an estimated 1.25 billion3 worldwide affected by mild to moderate hearing loss. Presenting these results for the first time at the EUHA Congress confirms our commitment to scientific rigor and innovation. We are proud to advance solutions that are not only clinically proven but also designed to seamlessly improve people’s everyday lives”.

Click HERE for the press release.

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Notes:

*Nuance Audio Glasses are not commercially available for sale in all countries.

**Compared to the unaided condition, in the Continuous Speech Test in multi-talker babble noise in 0dB and –3dB SNRs. Results from a prospective clinical trial from Western University (n=21).

***Compared to the unaided condition, based on the listening-effort rating scale (Johnson et al., 2015) and measured after each CST passage in multi-talker babble noise (0 dB and −3dB SNR). Results from a prospective clinical trial from Western University (n=21).

† Compared to the unaided condition, in the SIN test using adaptive BKB sentences in diffuse multi-talker babble, measured at the 50% speech reception threshold (SRT50). Results from a prospective clinical trial conducted by the National Acoustic Laboratories (n=20).

‡ Based on a modified, scene-anchored IOI-HA completed after a supervised 3-hour real-world walk with the Nuance Audio™ device. Results from a prospective clinical trial conducted by the National Acoustic Laboratories (n=20).

§ Based on the modified COSI, with participants selecting and prioritizing their listening goals and later rating improvement after ~3 hours of supervised real-world device use. Results from a prospective clinical trial conducted by the National Acoustic Laboratories (n=20).

¶ Based on EMA responses collected during a supervised real-world walk, comparing aided vs. unaided listening when attending to a live talker. Results from a prospective clinical trial conducted by the National Acoustic Laboratories (n=20).

  1. The results presented at EUHA are based on clinical study conducted by Western University (Canada). EssilorLuxottica Data on file 2025.
  2. The results presented at EUHA are based on clinical study conducted by the National Acoustic Laboratories (Australia). EssilorLuxottica Data on file, 2025.
  3. World Health Organization, World Report on Hearing, 2021, p. 40.

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