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Carrot Reports More Than 5 Million Visual Tests Completed Across U.S. and Canada

Carrot logo 2026

Carrot has announced that more than 5 million tests have been completed using its visual diagnostic platform across more than 2,400 eye care clinics in the United States and Canada.

The company describes the milestone as a sign of growing adoption of automated and portable visual testing tools in clinical practice, as eye care providers look for alternatives to more traditional room-based diagnostic equipment.

Carrot, which recently rebranded from Virtual Field, launched its first virtual reality-based visual field testing solution in 2018. Since then, the company says it has expanded the platform to include 15 exam types, including visual fields, colour vision, pupillometry, and extraocular motility (EOM), along with analytics, reporting, and workflow support tools.

According to Carrot, demand for flexible diagnostic technologies is increasing as clinics face pressure to improve efficiency, manage staff workload, and enhance the patient experience. The company says its platform is designed to support those operational needs while maintaining clinical reliability.

“In clinic, after comparing head-to-head visual fields, the results appear functionally indistinguishable from legacy tabletop perimetry,” said Dr. Andy Morgenstern, OD, FAAO, FNAP, an advisor to Carrot.

The company says it plans to continue expanding the platform’s capabilities in areas including automation, analytics, interoperability, and new exam development.

Click HERE for the press release.

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Optical Laboratories Reduce Their Environmental Impact

Sustainability in optical laboratories

By Jean-François Venne

Ophthalmic lens production has long presented environmental challenges for optical laboratories. Many are now working to reduce their ecological footprint through innovative equipment and processes.

In general, environmental challenges for optical labs fall into three main areas: water consumption, energy use, and material waste. Patrick Brown, director of Riverside Opticalab in Ottawa, has observed some improvements in recent years.

According to him, water consumption has dropped significantly due to advances in equipment. “Most systems now circulate water in a closed loop, and some, such as the MEI Systems equipment we use to cut lenses to frame dimensions, no longer use water at all.”

However, electricity remains a major challenge. Equipment has always been energy-intensive, and increasing automation on production lines further raises consumption. “The more we automate our production, the harder it becomes to reduce energy use,” he says. Newer machines may require more power, but they also work faster, meaning they operate for a shorter period of time to produce each lens.

The environmental impact of energy use depends heavily on the electricity source. In 2024, nearly half the electricity supplied to Ontario consumers by Hydro One came from nuclear power, and roughly a quarter from hydroelectricity. Natural gas and oil generated 16.6% of electricity, while renewables accounted for 11.6%. In Quebec and British Columbia, electricity comes almost entirely from hydroelectric and renewable sources.

Some measures can still help. Riverside Opticalab has replaced its halogen bulbs with LED lighting and is now studying the possibility of modernizing the building’s ventilation system, which could further reduce energy consumption.

Reducing Environmental Impact at FYidoctors

At FYidoctors, the largest eye care provider in Canada, several initiatives have been implemented over the past five years to improve the environmental footprint of its ophthalmic laboratory in Delta, British Columbia.

“We enjoy two advantages in British Columbia,” notes Nancy Morison, vice president of the laboratory. “Our electricity comes from renewable sources, mainly hydroelectricity, and we are located in a rainforest, so we have plenty of water.” She adds, however, that the company must still carefully manage its water use to avoid waste.

Nancy Morison is pleased that the laboratory’s greenhouse gas (GHG) emissions have declined even as company revenues and production volumes have increased. Emissions dropped from 89 tonnes in 2023 to 77 tonnes in 2025. To achieve this, the company replaced all lighting in its more than 6,000-square-metre facility with LED bulbs. It also upgraded production equipment to newer models, which are more energy-efficient and use less water.

Other initiatives are less obvious but equally significant. “In 2023, we found a company that agreed to collect the gloves we use and recycle them,” explains Nancy Morison. “This has enabled us to recycle 4,500 kilograms of gloves that would otherwise have ended up in landfills.” The company has also replaced bubble wrap with reusable neoprene packaging for every pair of eyeglasses shipped between the laboratory and its clinics.

In 2026, FYidoctors will update its filtration system that removes plastic from the water used in surfacing. The new equipment will allow the lab to collect the equivalent of a full garbage bag of plastic waste and compress it into a small brick. At the same time, water trapped in the plastic will be expelled and recycled. “We really want to achieve 100% recycling of the water we use,” concludes Nancy Morison. “We are currently at 98%.” She adds, “We’re proud to offer our clinics and patients products that they know come from a lab with sustainability as one of our goals.”

Innovative Processes at New Look

At the New Look Vision Group laboratory in Montreal, surfacing, tinting, edging and frame fitting are performed on lenses. “During these steps, material loss is the biggest challenge,” says Sébastien Chailley, senior vice president, operations and technologies. Production begins with a plastic block roughly the size and shape of a hockey puck weighing about 150 grams (called a semi-finished lens). The final result: two lenses weighing about 20 grams each. In other words, three-quarters of the plastic is lost in the process.

To reduce this waste, New Look Vision Group uses various semi-finished sizes, always selecting the smallest possible based on the prescription. On average, this cuts material loss in half.

Surfacing equipment also consumes large amounts of water to cool machinery and flush away cutting residue. For just under a year, the lab has used a new MEI Systems machine, the Core-TBA, which performs dry machining. “About 12% of our production is currently done using this equipment, which uses virtually no water,” explains Sébastien Chailley. “In 2026, we expect to acquire two additional machines that will allow us to exceed 35% dry production.”

During machining, the “hockey puck” must be blocked in place. Typically, this is done with a lead-based metal alloy that melts at around 55°C. Although reused, a small amount is lost each time. These residues are difficult to recover and may enter wastewater, and lead is highly polluting. The Core-TBA uses vacuum blocking technology, eliminating the need for the metal alloy. It also removes the need for a protective plastic film on the front surface of the lens during surfacing.

Besides environmental benefits, the process lowers production costs. “It also affects our energy consumption,” adds the vice president. “We estimate that by fully switching to vacuum blocking, we will save about 400 litres of water per day and use three times less electricity.”

New Look Vision Group plans to go further. Around early April 2026, the lab is expected to receive a U.S.-made Fusion-M machine from Quantum, which allows a mirror-type anti-reflective coating to be applied directly to the semi-finished lens. Currently, the company must order multiple semi-finished types with different coatings and eventually discard unused ones when they are not purchased. Producing them in-house will better match actual needs and reduce waste.

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Etnia Barcelona to Open Etnia House of Arts in Restored Venice Church

Etnia House of Arts photo logo April 2026

Etnia Barcelona is preparing to open Etnia House of Arts in Venice in May 2026, marking a new chapter for the restored Chiesa dell’Abbazia della Misericordia in the city’s Cannaregio district.

The project is being presented by Etnia Eyewear Culture, the brand’s cultural platform, as a space dedicated to artistic experimentation, public engagement, and contemporary creativity. According to the company, programming will include exhibitions, performances, artistic interventions, and residencies.

Among the planned initiatives is an international artist residency program centred on an unusual creative starting point: eyewear. Artists will be invited to develop works in dialogue with the architecture of the site, the surrounding city, and the public, allowing visitors to experience not only finished pieces, but also aspects of the creative process itself.

The venue brings together heritage conservation and contemporary cultural use. The former church dates back to 939 and has undergone several architectural transformations over the centuries, including Gothic reconstruction and later façade work attributed to sculptor Clemente Moli. The site was officially closed for worship in 1973 and later adapted for secular purposes.

Etnia says restoration work is currently underway under the direction of architectural studio Anfibio, with oversight from Venice cultural heritage authorities. In addition to the church itself, the broader site will include space for offices and artist residency functions linked to the initiative.

With Etnia House of Arts, the company is extending its presence beyond eyewear into a broader cultural arena, using a landmark Venetian site as a platform for contemporary artistic exchange. The space is scheduled to open to the public in May 2026.

Source: Etnia House of Arts

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Eye on the Industry Podcast: Episode 10 Explores What Optometry Needs Next with Dr. Harbir Sian

Eye On the Industry podcast EOTI

The latest episode of Eye on the Industry features Dr. Harbir Sian, an optometrist, clinic owner, educator, digital creator, and host of The 2020 Podcast, for a wide-ranging discussion on the future of optometry in Canada.

photo of episode 10 Habir Sian of Eye on the Industry

Hosted by Christine Zeggil and Isabelle Tremblay, Episode 10 examines several of the issues shaping modern practice today, including scope modernization, social media, clinic culture, myopia management, and the leadership skills needed to move the profession forward.

Digital Presence as a Modern Practice Tool

A central theme of the episode is the growing importance of digital and social media for optometrists. Dr. Sian explains that as more consumers spend time online, platforms such as Instagram and TikTok have become practical tools for patient education, practice visibility, and professional branding.

He encourages eye care professionals who feel intimidated by social media to start small and focus on consistency. Short-form video, regular posting, and repurposing content across platforms, he says, can help practitioners build confidence while learning what resonates with their audience.

Scope Modernization and Access to Care

Dr. Sian also shares his perspective on scope modernization across Canada, arguing that allowing optometrists to practise to the level of their training can improve access to care, reduce system inefficiencies, and better serve patients—particularly in underserved communities.

He notes that progress depends not only on regulatory change, but also on alignment within the profession itself. In his view, optometry must continue pushing forward rather than risk losing ground.

Why Myopia Management Matters

Another key topic is myopia management, an area Dr. Sian is especially passionate about. He frames myopia not simply as a refractive issue, but as a condition with long-term implications for ocular health.

By intervening earlier, he explains, practitioners may help reduce the future risk of conditions associated with higher myopia. He also points to the value of measurable outcomes, such as axial length tracking, in helping families understand the impact of treatment over time.

Culture, Empathy, and Leadership

When the conversation shifts to leadership and practice culture, Dr. Sian returns repeatedly to one word: empathy.

He suggests that strong clinic culture depends on empathy, consistency, regular team communication, and clearly defined values. Weekly staff meetings, ongoing feedback, and meaningful recognition, he says, all contribute to a healthier workplace and stronger long-term performance.

As leadership expectations continue to evolve, Dr. Sian argues that modern clinic leaders must understand what motivates different generations of team members and adapt their communication style accordingly.

Looking Ahead

Episode 10 offers a thoughtful look at where optometry is headed—and what today’s professionals can do to build more visible, modern, and patient-centered practices.

🎧 Listen to Eye on the Industry – Episode 10: What Optometry Needs Next with Dr. Harbir Sian wherever you get your podcasts.

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Linda Farrow Names AVI US Distributor for Jacquemus Eyewear in the U.S. and Canada

Jacquemus Eyewear AVI logos 2026

Linda Farrow has appointed AVI US (Aerial Vision International US Corp.) as distributor for Jacquemus Eyewear in the United States and Canada, according to an announcement from the brand.

AVI US is the U.S. subsidiary of Aerial Vision International, a Rome-based global eyewear distributor that has been active in the market for more than 30 years. The company established its New York-based U.S. operation in 2019 and says it has since expanded its presence across North America.

According to the announcement, AVI US has built North American distribution partnerships with brands including Retrosuperfuture, Marni and MM6. Through the broader AVI group, the company also serves as licensee for Lotto Sport and Briko eyewear.

The appointment adds Jacquemus Eyewear to AVI US’s North American portfolio. The eyewear line is produced by Linda Farrow.

For the Autumn/Winter 2026 season, the Jacquemus Eyewear collection introduces several new design details, including flush-set lenses and thick lenses integrated into acetate to create a flat side profile. The collection also includes updated rimless styles featuring bevelled lens detailing and a new metal-backed rimless shield construction.

Source: Linda Farrow

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