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Myopia Management 2.0:What’s Next?

Future of myopia management

By Dr. Sheila Morrison, OD, MS, FAAO, FSLS, FCCSO

Over the last decade, myopia management has advanced significantly across academic institutions, optometry schools, and industry, helping shift the conversation from simple refractive correction toward active intervention. Spectacle lenses, soft contact lenses, orthokeratology, and pharmacologic approaches have all contributed to that progress, and the evidence base supporting myopia control is stronger than ever.

Yet despite these gains, an important gap remains: myopia management is still not consistently embedded as standard of care in everyday clinical practice. The field has made substantial progress in knowledge, innovation, and professional awareness, but broader adoption of even basic myopia control remains one of the profession’s most pressing unfinished tasks.

Beyond Defocus

At the same time, the conversation within the field is moving beyond first-generation thinking. The modern question is not whether we can slow myopia progression, but how we can understand, refine, and optimize that effect more intelligently. In particular, the long dominant language of defocus may no longer be sufficient on its own to explain where the field is heading next.

Defocus remains an essential part of the story, but it increasingly appears to be only one component of a more complex visual and biological signaling system. Across both spectacle and contact lens development, growing attention is being paid to the possibility that aberration, contrast sensitivity, spatial frequency content, accommodative behaviour, and choroidal response may all play meaningful roles in regulating eye growth.

That is a significant conceptual shift. It suggests that the next frontier is not just lens design in the narrow optical sense, but a more refined form of retinal image quality engineering. Orthokeratology offers an example. Although often discussed through the framework of peripheral myopic defocus, its effects are unlikely to be explained by defocus alone. It also induces changes in higher-order aberrations, including spherical aberration, and may alter retinal image quality in ways that influence growth-regulating pathways. The same may be true, to varying degrees, for newer spectacle and soft contact lens designs, which do more than simply reposition focal planes. They also reshape local blur structure, contrast distribution, and the character of the visual stimulus across the retina.

Engineering the Retinal Image

Contrast sensitivity may allow us to understand light in the retina in new ways. The retina does not merely register whether light is in or out of focus; it responds to the strength, quality, and pattern of the image signal it receives. If contrast modulation and spatial frequency processing are shown to be more central to myopia control than previously appreciated, this could expand the design logic of future treatments. The aim would shift from correcting refractive error while adding a therapeutic defocus component, toward tailoring the overall retinal image environment in a more biologically informed way.

Such a shift may also help explain one of the field’s most persistent realities: not all children respond equally well to the same treatment. That is why the future is likely to involve not only better products, but more individualized treatment optimization. In time, treatment selection may depend less on broad categories alone. Spectacle lens, soft lens, orthokeratology, and atropine candidacy may be determined with streamlined or automated processes looking at a child’s specific optical, behavioural, and biometric profile. Baseline aberrations, pupil size, accommodative behaviour, contrast response, binocular status, peripheral optics, and axial growth pattern may all eventually inform more personalized decisions.

The Choroid as a Biological Bridge

Alongside these optical questions, the choroid has emerged as one of the most intriguing biological structures in current myopia research. Increasing evidence suggests that it may act as a dynamic intermediary between visual input and axial growth. Short-term choroidal thickening has been associated with myopia-inhibiting signals, while thinning appears linked to conditions that promote elongation. The choroid is not yet a routine clinical marker, but it may prove to be one of the most important bridges between mechanism and management.

Its relevance extends well beyond lenses. If choroidal behaviour forms part of the eye-growth signaling pathway, then it becomes easier to understand how light exposure, medications, and other less traditional interventions might influence the same system through different entry points. This is one reason the future of myopia management may become less siloed. Optical, pharmacologic, and environmental approaches may increasingly be understood not as competing philosophies, but as complementary strategies acting on interconnected mechanisms.

That broader view also strengthens the case for greater attention to pre-myopia. Once a child becomes myopic, some degree of accelerated growth may already be underway. The next phase of care may therefore focus more heavily on identifying children at risk before refractive onset, using age, refractive status, family history, axial length patterns, and, eventually, more refined biomarkers. The goal would not simply be to slow established progression, but to delay or even prevent onset where possible.

Lifestyle, Light and the Visual Environment

This is where lifestyle and everyday visual environment deserve a more central place in the conversation. Research remains limited in several areas that are highly relevant to modern family life, but limited evidence should not be mistaken for lack of importance. Parents increasingly ask about nutrition, light exposure, prolonged near work, school intensity, screen use, study habits, sleep, and general wellbeing. These are not fringe concerns. They reflect the real-world conditions in which myopia develops.

Of these, light exposure remains a compelling and clinically actionable factor. Time outdoors is consistently associated with reduced myopia onset, and its effects may involve dopamine signaling, retinal adaptation, and choroidal response. That alone should secure its place as a mainstream part of myopia counselling. But the conversation should not stop there. The modern child often spends long hours in sustained near work under highly demanding visual conditions, with short viewing distances, limited task breaks, and heavy digital device use. Even where evidence remains incomplete, school and studying ergonomics should become more routine topics in clinical practice: working distance, posture, regular breaks, print size, screen position, and the balance between near work and time outdoors.

Nutrition is more speculative, but still worth acknowledging in a balanced way. There is currently insufficient evidence to support specific nutritional prescriptions for myopia control, and the field should resist overstating what is not yet known. At the same time, it is increasingly difficult to maintain a model of ocular development that is entirely detached from systemic health. A balanced diet, healthy sleep, physical activity, and overall wellness may not yet be measurable as direct axial-length therapies, but they belong within a preventive framework of care.

Toward a Whole-Child Model of Care

That may be the deeper opportunity now facing the profession. Myopia management can evolve from a treatment conversation into a whole-child health conversation. Spectacle and contact lens innovation will remain central, and rightly so. But the next frontier may be defined just as much by integration as by invention: integrating optical mechanisms with biology, integrating treatment with prevention, and integrating lens-based care with the broader realities of children’s health and daily lives.

If the first era of myopia management proved that progression can be slowed, the next era may be about something more ambitious: understanding why children respond differently, refining treatment with greater precision, and bringing prevention, lifestyle, and wellbeing closer to the centre of care. That is what Myopia Management 2.0 may ultimately mean, not simply more intervention, but better understanding which translates to more sophisticated clinical decision making.

About the Author:

Sheila Morrison

Dr. Sheila Morrison, OD, MS, FAAO, FSLS, FCCSO

Dr. Sheila Morrison is an Alberta-based optometrist, educator, and clinical researcher specializing in cornea, contact lenses, myopia management, and dry eye. A former clinical university professor, she practices at Mission Eye Care in Calgary, Alberta, and supervises an accredited cornea and contact lens residency. She lectures, publishes internationally, and collaborates in clinical research.

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Breeze Loon Clan: Featherlight Style Meets Powerful Indigenous Storytelling

Voila July-August Optik 2026 AYA Optical Breeze Loon Clan

AYA Optical’s Breeze in Loon Clan blends featherlight stainless steel construction with striking commissioned Indigenous artwork by Ojibwe artist Donald Chrétien. This contemporary square butterfly style features adjustable nose pads, custom acetate temple tips, and rich blue-brown artwork symbolizing leadership and balance—offering retailers a meaningful, fashion-forward statement with exceptional comfort and storytelling appeal.

Distributed by Claudia Alan: www.claudiaalan.com

About AYA Optical:

Celebrate Indigenous Art with Us!

We believe that art is transformative, and that eyewear can be the canvas to share stories and art from around the world. AYA Eyewear was first launched in 2009 in collaboration with renowned First Nations Artist Corrine Hunt and has continued to flourish and grow every year. 

We are committed to the details and realize that beautiful design takes time, precision, and attention, so we don’t cut corners. We stand by our product. We treat our artists as our partners and make sure that their stories and art are always shared in the most heartfelt authentic way.

We take pride in our service and seek opportunities to give back to the communities we serve and the artist’s charities of choice.

AYA Eyewear is truly a brand that stands out from the crowd and is loved by Indigenous and non-Indigenous communities alike.

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Transitions® Lights Up Festival d’été de Québec with Interactive Lens Expérience

Transitions Optical logo 2024 noir

Transitions® will bring an interactive brand experience to this year’s Festival d’été de Québec (FEQ), from July 15 to 19 on Grand Allée, inviting festival-goers to explore the impact of light and discover personalized lens solutions for everyday life.

Designed as both an educational and experiential activation, the Transitions® presence at FEQ will help attendees better understand the effects of light exposure – including UV and blue light – while showcasing how Transitions lenses adapt seamlessly to changing environments. At the heart of the activation is an immersive booth experience, including a dedicated UV black light room where visitors can step into simulated UV conditions and watch Transitions® lenses darken in real time – before fading back to clear moments later.

  Within the booth, attendees will have the opportunity to:

  • Explore the full range of Transitions lens colors and identify their best match
  • Discover the latest Color Touch™ effects and new style-driven offerings
  • Try on frames and experiment with lens combinations using the Transitions Color Match app
  • Experience the speed of activation and fade-back to clear, and test key Transitions® products, including Transitions® GEN S™, XTRActive®, XTRActive® Polarized, and Drivewear®
  • Engage directly with brand ambassadors to learn more about the technology and everyday benefits of Transitions lenses
  • Participate in the 2026 Transitions consumer contest

In addition to the booth experience, Transitions® will extend its presence beyond the daytime activation with a special evening event during FEQ. This extended experience will feature live music, a dynamic atmosphere, and a branded photobooth, offering attendees another opportunity to engage with the brand in a vibrant, festival setting.

By blending education, personalization, and entertainment, Transitions® aims to transport festival-goers into its world – where light, vision, and style come together. Optical professionals and consumers alike are encouraged to visit the activation to discover how Transitions lenses can enhance vision and comfort in everyday life.

Come and visit the booth beside the Parlement, on Grand Allée street.

Click HERE for the press release.

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Canadian Eyewear Designers Make Their Mark

Canadian eyewear designers

By Shan Khan, R.O.

Canadian designers continue to prove that some of the most exciting ideas in eyewear are happening close to home. Clara Faniel and Douglas Gaudet represent two different but equally compelling examples of the creativity, craftsmanship, and fresh perspective moving Canadian eyewear forward.

Canada has produced some incredible frame designers, yet we sometimes overlook just how much talent we have right here at home. While larger international fashion houses often dominate the conversation, Canadian eyewear has developed its own identity by combining creativity, functionality, authenticity, and a strong understanding of the practical needs of optical patients.

Many ECPs are already familiar with Canadian names such as FYSH, KLiiK, Faniel Eyewear, Spectacle Eyeworks, and Mel Rapp — designers and collections that have built loyal followings by bringing personality and individuality to eyewear. Clara Faniel and Douglas Gaudet continue that proud Canadian story in very different ways.

Clara Faniel: A Personal Approach to Creativity

A Personal Approach to Creativity

One designer from the next generation of Canadian eyewear creators who recently caught my attention is Clara Faniel and her Océana collection.

What stands out about Clara’s approach is how natural and personal her creative process feels. While trends play a role, her inspiration begins with her own tastes and with elements found in nature. “I draw mainly from my own tastes, personal inspirations, and different elements of nature,” Clara explains. “Natural shapes, colours, textures, and the moods found in nature often serve as starting points in my creative process.”

Her philosophy is simple: if she can imagine herself wearing a frame, there is a good chance others may connect with it as well. Today, eyewear is no longer simply about vision correction. Patients wear their frames all day, every day, and frames have become an extension of personality, lifestyle, and self-expression.

Materials, Fit and Wearability

Material choice plays a major role in Clara’s designs. She enjoys acetate when creating stronger statement pieces with more presence and character. “I really enjoy working with acetate, especially when I want to create frames with a strong presence, greater thickness, and more pronounced shapes,” she says.

For more lightweight and refined designs, she often works with stainless steel because of its durability and comfort. Clara also pays close attention to proportion and facial harmony, looking for balance between the frame, the face, and the desired style.

Family Insight and Canadian Craft

Family involvement is another important part of Clara’s process. Her mother, Anne-Marie Faniel, creator of Faniel Eyewear, helps guide dimensions, proportions, and shape development. Her father, Patrick Bolduc, an optician, contributes a practical perspective, helping ensure the designs work well in real optical environments.

As a licensed optician and now owner of her first Faniel eyewear boutique in Switzerland, Clara places strong importance on quality, durability, comfort, and eco-responsibility. “With access to recycled acetates from our manufacturing in Quebec, I am especially proud to be able to offer, among other things, handmade frames created here in Canada,” Clara says. That balance between creativity, colour, fit, and wearability helps define the Océana collection, and reinforces the strength of a new generation of proudly Canadian eyewear design.

Douglas Gaudet: Reframing Passion Through Craftsmanship

A Second Act Rooted in Optical Experience

Douglas Gaudet’s story shows another side of Canadian eyewear design: creativity shaped by decades of optical experience, curiosity, and hands-on craft. “I started in the industry as a pure fluke,” Douglas recalls, after answering a help wanted ad for a “lens grinder” at American Optical in the basement of the Lord Nelson Hotel in Halifax more than 50 years ago.

One opportunity led to another: time in the lab, becoming a licensed optician, fitting contact lenses, years of dispensing, and eventually building an independent practice. Together with his wife Debra, Douglas built and operated Gaudet Optical for nearly four decades. “I learned something every single day,” he says. Four and a half years ago, Douglas and Debra sold the practice and building to independent optician Heather Clarke, passing the torch to the next generation. For Douglas, it opened a new creative chapter. “Since then, the fun has really begun,” he says.

Handmade Frames and Creative Independence

With more time available, Douglas returned to something he had dabbled in for years: designing and making eyeglass frames by hand. Through a series of fortunate encounters, he met John Barr in rural PEI, whom he describes as “an absolute genius regarding frame making.” Barr mentored him in tool selection, work methodology, old-world craftsmanship, and the satisfaction of making a project completely by hand.

Douglas has created about 175 pieces so far, many of which have sold. But selling was never the original goal. “I just wanted to create something unusual, unique, and in a different way than what is often called ‘hand made,’ and just enjoy the pleasure that brings,” he says.

Materials, Inspiration and Canadian Collaboration

Douglas works primarily with cellulose acetate sourced from Italy and China. “It’s Christmas Morning to get a shipment delivered,” he says. The hidden layers of colour in acetate can be emphasized or muted depending on how the material is cut, revealing what Douglas calls “the treasures inside.” He also uses titanium, stainless steel, and aluminum, often for temple or detail work. His inspiration has come from unconventional eyewear brands including Kuboraum, Niloca, Rigards, and Factory 900; collections that showed him eyewear could be creative, unusual, and even art.

Today, through his new company, Beech Street Eyeworks and Accessories, Douglas’s work has expanded into collaboration with long-time Canadian eyewear icon Mehran Baghaie and Spectacle Eyeworks. For Douglas, this new venture is about continuing to learn, create, and contribute to the Canadian eyewear story with plenty of room for originality.

Together, the stories of Clara Faniel and Douglas Gaudet remind us that Canadian eyewear design is not defined by one generation, one material, or one approach. It is shaped by family knowledge, optical experience, artistic curiosity, independent thinking, and pride in making something meaningful close to home. Clara and Douglas show that Canadian eyewear continues to have a voice of its own: authentic, creative, functional, and proudly ours.

About the Author:

Optik Magazine Editor in Chief, Shan Khan, R.O.

Shan Khan, R.O.

Shan Khan, is an optician and educator passionate about advancing eye care and eyewear awareness in Canada. As Editor-in-Chief of Optik Magazine, she brings a keen industry perspective and a commitment to spotlighting innovation, style, and professionalism across the optical landscape.

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Contact Lens Institute Opens Nominations for 2026 Culture Awards

contact lens institute

The Contact Lens Institute is accepting nominations for its fourth annual Culture Awards, which recognize eye care professionals who help foster a positive contact lens culture in clinical practice.

Nominations are open through October 1, 2026, and individuals in the U.S. and Canadian eye care community who prescribe or support soft contact lenses are eligible. Self-nominations are also accepted.

The program honours professionals whose behaviours and initiatives support patient experiences, practice success and team engagement, reflecting themes identified in CLI’s See Tomorrow research reports.

“Each year, the Contact Lens Institute Culture Awards highlight eye care professionals who are making a lasting difference through the way they recommend, support, and champion contact lens wear,” said Stan Rogaski, executive director of the Contact Lens Institute.

Nomination submissions should include a response of 750 words or less addressing at least two of the program’s questions. Topics include how the nominee has enhanced patient outcomes with soft contact lenses, introduced practice initiatives that support contact lens recommendations and wear, engaged staff in advocacy for healthy and safe contact lens use, or helped improve a patient’s life through contact lenses.

CLI 2026 Culture Awards Nomination

Groups are eligible, provided all individuals are named and a leader is clearly identified. Submissions must include the nominee’s name, location, practice name and contact information, along with the nominator’s name, affiliation and contact information.

Previous Culture Award Winners from Canada include:

2025 Honoree

 Sheila Morrison, OD, MS, FAAO, FSLS, FCCSO, Mission Eye Care, Calgary, AB.

2024 Honoree

Wes McCann, OD, Central Optometry & Upper Richmond Optometry, London, ON.

Entries must be emailed by October 1, 2026, at 11:59 p.m. ET to cli@contactlensinstitute.org. Submissions may be included in the body of the email or attached as a Word or PDF document.

Honorees will be selected by the CLI Board of Directors and announced in November 2026, with recognition continuing into the following year.

Complete nomination information is available at:

https://www.contactlensinstitute.org/awards

Click HERE for the press release.

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